I have an all-Japanese design team, and none of them speak English. So it’s often funny and surprising how my ideas end up lost in translation. less than 1 minute read
This is the great thing about Northern Ireland. I walk down the street and people stop me and say things like, ‘I know you. You’re that wee golfer, aren’t you?’ I say, ‘Yeah, that’s me.’ They say, ‘Keep it up, wee man.’ It’s very funny and that’s why I want to stay here as long as possible. less than 1 minute read
It’s funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I’m rounder in the face, I like to say, ‘This is my long-term look.’ Or ‘This is my wife-and-kids look right here.’ less than 1 minute read
It’s funny that I got to do ‘On the Road’ because the thing that had the biggest impact on me growing up was reading books. I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree. less than 1 minute read
It’s funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film ‘Death Sentence,’ and I got back with him again in ‘Inside Llewyn Davis.’ less than 1 minute read
I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience what things are funny and not. less than 1 minute read
In Italy, I had an Afro, and a lot of the kids came up and felt my hair. It really was funny. I wish I had understood Italian. less than 1 minute read
Even as a kid I was never the generator of humor, but I always knew who was funny, who to hang out with. less than 1 minute read
Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it’s not necessarily evident in anything that’s finished. less than 1 minute read
