A garden is a complex of aesthetic and plastic intentions and the plant is, to a landscape artist, not only a plant - rare, unusual, ordinary or doomed to disappearance - but it is also a color, a shape, a volume or an arabesque in itself.

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A garden is a complex of aesthetic and plastic intentions and the plant is, to a landscape artist, not only a plant - rare, unusual, ordinary or doomed to disappearance - but it is also a color, a shape, a volume or an arabesque in itself. A garden is a complex of aesthetic and plastic intentions and the plant is, to a landscape artist, not only a plant - rare, unusual, ordinary or doomed to disappearance - but it is also a color, a shape, a volume or an arabesque in itself. A garden is a complex of aesthetic and plastic intentions and the plant is, to a landscape artist, not only a plant - rare, unusual, ordinary or doomed to disappearance - but it is also a color, a shape, a volume or an arabesque in itself. A garden is a complex of aesthetic and plastic intentions and the plant is, to a landscape artist, not only a plant - rare, unusual, ordinary or doomed to disappearance - but it is also a color, a shape, a volume or an arabesque in itself.

A garden is a complex of aesthetic and plastic intentions and the plant is, to a landscape artist, not only a plant - rare, unusual, ordinary or doomed to disappearance - but it is also a color, a shape, a volume or an arabesque in itself.

- Roberto Burle Marx

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